Constellations, Dir. Stefan Jovanović

Lillian Baylis Theatre, Sadler’s Wells, London

2019


Bliss Carmxn
Music
Performance
Constellations
A live work by Stefan Jovanović and collaborators including Katye Coe, Pau Aran Gimeno, Charlie Cattrall, Roni Katz, Sara Ruddock, Jack Hardy, Curtis Oland, Frank Bock, Bliss Carmxn, Domenico Angarano, Patrick Morris, Hamilton Stansfield and Damselfrau.
2019


Constellations
explores the relationship between power and gender through an eclectic series of vignettes, featuring historically marginalised archetypes of witches, fools and prophets. An ensemble of performers, musicians, composers and designers investigates the generating of new forms of audience-performer relationship, situated at the threshold of a travelling circus, ballroom and phantasmagorical pop-club. Performers directly engage the audience to reconsider the idea of who in society holds marginal and dominant roles, and why. Conventional dance-forms are challenged as well as their gendered stereotypes through a multi-disciplinary palette of movement, song, drag and symbolism.

World Premiere June 6, 2019
Lilian Baylis Theatre at Sadler's Wells, London
2 hr 25 minutes, one interval


See full credits and photos here. 



Image 1: Favela Barroca by Katianne Berquiolli, Lecticia Barros, Valdemar Candido Vargas, and Hyan Victor Costa Cantanhede. Spectaculu-selected winner for the Rio de Janeiro “Designing Respect” competition in 2016. Source: Theatrum Mundi.
Image 2: Service Wash by Alpa Depani and Thomas Randall-Page. Public voting winner for the London “Designing the Urban Commons” competition in 2015. Source: Theatrum Mundi, www.thomasrandallpage.com and www.alpadepani.com
Image 3: Floating Agora by Raquel de Anda, Gan Golan, and Ron Morrison. Jury winner for the New York “Designing for Free Speech” competition in 2014. Source: Theatrum Mundi.




From ‘Frames of Love, or Love’s Perspective’ (2018)

‘Love’s perspective might be a window into someone’s life. Or perhaps it is more like a signal that one sees and likes and recognizes what another or other put/s forward as a framed structure of their feeling of life.’
- Adam Kaasa
From ‘Feeling Bodies of Architecture: Towards an Incommensurable Pedagogy’ (2023)

‘Space, time, energy must be made for the bodies of architecture to be present in this new pedagogic performance, for feeling in both senses of the word to happen, for bodies that have moved to be moved again, by and through each other.’
- Adam Kaasa