Linn Phyllis Seeger, 0N0E 01, 2021; Linn Phyllis Seeger, 0N0E 02, 2021; Linn Phyllis Seeger, 0N0E 03, 2021; Linn Phyllis Seeger, 0N0E 04, 2021; Linn Phyllis Seeger, 0N0E 05, 2021

RELAY (2021) - Venice Biennale of Architecture

24-hour performance piece, 16-17 July 2021
Co-curated with Dr Thandi Loewenson and Dr David Burns, RCA

RELAY is a durational conversation, a ritual in circumferential publicness, a performance becoming telegraph, current, message.

RELAY is resonance, synchronicity, amplification and interference. It is a live act of tuning and retuning, finding meaning as much in static, dead air and the space held between words, as in the weight, force and matter of speech. 

RELAY is the capacity to negotiate distance and time through a circuitry of interconnected broadcast, rather than the persuasion of instantaneity. It suggests the capacity of language, of energies, of influence to manifest through the technology of the discussion, of two bodies in relation, then two more and two more and bodies and bodies.

RELAY is as if a global circuit of people were sitting in a circle and one by one we turned left and then turned right, an ongoing relayed conversation. Each brings into relief ideas, books, people, histories, disagreements, citations, places, fictions, alt-futures, so that a set of tender circles emanates and expands like a pebble in dark dark water.

RELAY is the performance of the whisper, of gossip, of chatter. It practices the impossibility of being everywhere, hearing everything. It operates against human time, sleep time, productive time. It is about the impossibility of doing it all, at the same time, and the realisation that all depends on each in relay with the other.

RELAY invites us to become submarine telegraph line, electromagnetic current, fibre optic cable, telephone pole, radio wave, sine, cosine, tan. We are not a message transmitted through a relay. Rather the relay becomes the message as infrastructure.

RELAY broadcasts broadcasts, platforms platforms, and channels channels. It listens in on intimacies sited elsewhere and elsewhen. It collects a process of watching, observing, recording, transcribing. It is a sitting with, a being with, a radical togetherness that is fractured by time and geographical isolation. It invites a coming and goingness, a performance unique to everyplace and everyzone. It is a liveness experienced with multiple beginnings and multiple endings.

RELAY performs itself as loss, leaks, disconnection, glitches, interruption. These are not gaps of meaning, but precisely the meaning of bandwidth.

RELAY is a non-scripted scripting where sound becomes script becomes document becomes trace becomes live becomes comment. Each move is an integrated co-, a co-scripting, of co-sounds, co-documents, co-liveness, the you and me and us and there, and then, and was, and is, and might of co-traces.

RELAY sits within larger histories of communication, transmission, cables and signs. Of the power of connection in histories of war, of colonisation, of empire, of pedagogy, performance and liberation. It is an experiment in relay as message as wave, wave as wake, wake as sound and space in time.

RELAY relishes the insurgency of what it is to feel for someone through the limitations and ruptures of the channels we have at hand. It is happening now, now-now, now and again, through multiple forms of feeling through others and others feeling for you, refusing the limitation of the box, the screen, the container and the cell, and instead revelling in a line of sensing passed on, in the round.
© Adam Kaasa 2021                              
adam.kaasa [at]